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Star Heaven gives a glimpse of the future of humanity: a world destroyed by a caste whose members will become supermen through transhumanism and leave the Earth and its population devastated for space. This can only be possible by a huge accumulation of wealth due to the extreme exploitation of peoples.
The music of the album evokes different aspects of this fatal perspective, which are found in the first titles. Then the music and the titles evoke the end and the failure of this vast project.
Modern society destroys life like no other before it. Tens of billions of livestock are killed each year for human consumption while there is a way to feed differently. Dozens of wild animal species disappear every day. Water, rivers, lakes, seas are poisoned progressively, making them unfit for life. Natural areas such as forests are shrinking at a high speed. The human being himself suffers from more and more frequent diseases that kill him, make him sick or even handicapped. The resources of nature and the humans are exploited and impoverished until their final exhaustion.
The modern world, that of Capitalism, is the reign of death. Yet, modern ideology evades the death from consciousness to the point that few people are able to conceive of it and accept it with wisdom. The hybris reaches such proportions that the oligarchy, guided by the ideology of transhumanism, imagines itself to become immortal or almost, transformed into supermen, and leaving the Earth for space leaving the rest of the world to the sad fate that it implements : destruction and death. To reach its end, it gradually concentrates all the riches in its hands by the unheard of exploitation of other humans and the planet, by the submission of beings to the technique. As the Greek gods did in antiquity, nature, life, and just revolt will cruelly end these claims. Here comes the time of Nemesis.
The music on this album uses an unconventional harmony created by Yan Lohendra. It can therefore be considered as atonal, since classical harmony does not apply.
